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STILL: LATE WORKS BY SAMUEL BECKETT

10 - 26 JULY 2025 /

THEATRE WORKS: EXPLOSIVES FACTORY

written by samuel beckett
directed by richard murphet
performed by robert meldrum

After the sell out season of the Australian Premiere of Samuel Beckett's Worstward Ho, Richard Murphet and Robert Meldrum return with another boundary pushing work - Still: Late Works by Samuel Beckett

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artists/info
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director's note
robert meldrum
richard murphet

'Worstward Ho is a must if you love Beckett'

Kate Herbert on Worstward Ho, 2023

'you may just find the sublime.'
Theatre Matters on Worstward Ho, 2023

'Here is a phenomenon you may never see again in your lifetime so cherish it.'

What Did She Think on Worstward Ho, 2023

'This challenging solo work will haunt and galvanise'

The Age on Worstward Ho, 2023

'he makes it look effortless'

Australian Book Review on Worstward Ho, 2023

'truly impressive, and truly moving.'

Stage Whispers on Worstward Ho, 2023

Victorian Theatre Company presents Still: Late Works by Samuel Beckett, the latest artistic collaboration between Melbourne theatre greats Richard Murphet and Robert Meldrum.

 

After the sell-out season of Worstward Ho (Australian Premiere), powerhouse duo Richard Murphet and Robert Meldrum return with a new dramatisation of rarely presented Beckett texts; six short works written towards the end of his life.

 

‘A man alone in a hut, in the valley, on the backroads, somewhere between the town and the outback, between the sky and the dazzling land. Six short, unpredictable episodes on his journey along the blurred boundary between day and night, between living and dying, out of a conscious life into that threshold, alternately terrifying, revelatory, awesome, prior to the final shutdown. These are joyously, shockingly real vignettes, filled not with philosophical thought on Life or Death, but on the mere ordinariness of existence: a table, a wicker chair, a window, a beech tree, an old hat, the sound of nightingales, a handful of yellow flowers. It has been our delight over the past 12 months to find ways of bringing them alive for a modern audience.’ - Richard Murphet & Robert Meldrum.

 

These pieces attempt to present the experience of dying - not traumatically, but carefully and irreversibly. 

 

The chance to experience these rare Beckett pieces live on stage is a must for Beckett and theatre lovers alike. 

After we presented Worstward Ho at the Explosives Factory in 2023, we wanted to continue to work on the fascinating puzzle presented by Samuel Beckett’s late prose. We read through all the works from his last 20 years and finally chose 6 short pieces for our focus. Three of them were connected by the use of the word ‘Still’ in their titles: Fizzle Still, Variations on a Still Point (which comprises 2 works: Still 3 and Sounds) and Stirrings Still. We added two other that felt like they completed the suite: Heard in the Dark and One Evening. As far as we know, these were not written with each other consciously in mind. But to our amazement, they seem to echo, reflect upon and develop words, phrases and themes throughout.

At a time when daily news is so full of the death-dealing cruelty, violence and hypocrisy of the human race, it has been our joy to return each rehearsal to the deep humane-ness of Beckett’s sensibility. This may seem a paradox, given his reputation for gloomy melancholy and mordant, morbid wit - a reputation gained because of his refusal to gild the harsh realities of living with false sentimentality. He is in fact the most caring, most positive of writers. And the most precise. His later texts are so spare and minimal because there is not a word wasted, or misused. He rescues language from the shattering and cheapening it has received from the corruption of politics and the mass media. These six works present with care and a limitless depth of understanding the experiences of an ordinary man, alone in his thoughts and actions at a critical juncture in his life.

We have attempted to render these experiences with the care and clarity with which he writes them. It has been our delight. We hope it will be yours.

Writer/ Samuel Beckett
Director/ Richard Murphet 
Actor/ Robert Meldrum
Stage Manager/ Kara Floyd
Set Design Consultant/ Jenny Kemp
Producer/ Matthew Connell
Poster Photography & Design/ Joe Hill 

Set Artwork/ Gary Willis

Builder/ Mark Hennessy

Building assistance/ Tony Reck

Production Photos/ Darren Gill

Thursday 10th July, 7:30pm (Preview)

Friday 11th July, 7:30pm (Preview)

Saturday 12th July, 7:30pm (Opening Night)

 

Tuesday 15th July, 7:30pm

Wednesday 16th July, 7:30pm (Q&A Post Show)

Thursday 17th July, 7:30pm

Friday 18th July, 7:30pm

Saturday 19th July, 7:30pm

 

Tuesday 22nd July, 7:30pm

Wednesday 23rd July, 7:30pm

Thursday 24th July, 7:30pm

Friday 25th July, 7:30pm

Saturday 26th July, 7:30pm

Venue:

Explosives Factory

Rear Laneway 67 Inkerman St. ST KILDA 3182

Prices:

Full $48.00
Concession $38.00
Mobtix $25
Preview $28

Show Duration:

50 mins

With great thanks to the following, without whose generosity this production could not have happened.

Greg Carroll, Gary Willis, Mark Hennesy, Tony Reck, The National Theatre School, South Melbourne Uniting Church, Robert Draffin, Theatre Works, and all the designers and assistants mentioned above, as well as so many others who volunteered their labour.

Rob Meldrum has been working as an actor, director and lecturer in acting and voice for over 45 years. He was originally a member of the Australian Performing Group for 6 years at the Pram Factory in Melbourne, where he performed in Dimboola, The Floating World, River Jordan, Mary Shelley and the Monsters, The Hills Family Show, Back to Bourke St. During this time, and under the umbrella of the APG he co-formed Stasis an experimental theatre group who performed to popular and critical acclaim The Young Peer Gynt.Since that time, he has performed with all the major State Theatre Companies in shows including: The Tempest, Scenes From an Execution for South Australian Theatre Company; Miss Julie, She Stoops to Conquer, The Island for Melbourne Theatre Company; The Misanthrope, Woman in Mind, The Three Sisters for Sydney Theatre Company; Brittanicus, Antony and Cleopatra, Speaking in Tongues for Playbox Theatre Company.He has been nominated three times for best actor in the Green Room Awards, and won the award in 1998 as part of Best Ensemble. He was a member of the Bell Shakespeare Ensemble for two years where he performed in five productions: Julius Caesar, Antony and Cleopatra, Hamlet, Richard 111 and As You Like It. More recently he performed in the highly acclaimed four seasons of L’Amante Anglaise at La Mama and Forty-Five Downstairs (which toured nationally in 2019); and recently for La Mama in Four Men, The Chairs, In the Solitude of Cotton Fields.He was a lecturer in acting at the Drama School VCA for 8 years, is currently the voice teacher for Brave Studios, and sessional lecturer in acting with the National Theatre Drama School. Among other commitments he has a private practice as a vocal and acting coach and has recorded over 25 audio books for Bolinda Publishing.

Richard has been writing, directing and creating contemporary forms of theatre for 5 decades. His plays have received productions throughout Australia and internationally, and he has worked as a director in Melbourne, Sydney, Adelaide, Toronto, New York, Amsterdam, Utrecht and Ghent.His plays include: Quick Death (1979), Slow Love (1983), Dolores and the Department Store (1999), The Inhabited Woman (2003), The Inhabited Man (2009), The Darkening Sky (2019)Recent Productions include: A double bill of Quick Death and Slow Love (La Mama, 2015); a double bill of two Belgian plays, Four Men and Dog Play (Elvis Peeters: La Mama, 2017); In the Solitude of Cotton Fields (B-M Koltes: La Mama, 2019); Broken River (Tony Reck: La Mama, 2019), and The Darkening Sky (Murphet: Theatre Works, 2021). He will direct Julius Caesar for Melbourne Shakespeare Company in August.Murphet worked at the Victorian College of the Arts for 2 decades where he was Head of Drama (2007-2009) and Head of Postgraduate Studies (1996 – 2006). He was a member of the Australian Performing Group, and the Artistic Director of the Mill Theatre Company. He was awarded a Lifetime Achievement Award for his work in theatre at the Australian Greenroom Awards (2017). His book on Late-Modernist theatre practice, Acts of Resistance, was published by Brill Publications, Amsterdam in 2020.

STILL: LATE WORKS BY SAMUEL BECKETT

10 - 26 JULY 2025 /

THEATRE WORKS: EXPLOSIVES FACTORY

written by samuel beckett
directed by richard murphet
performed by robert meldrum

Thursday 10th July, 7:30pm (Preview)

Friday 11th July, 7:30pm (Preview)

Saturday 12th July, 7:30pm (Opening Night)

 

Tuesday 15th July, 7:30pm

Wednesday 16th July, 7:30pm

Thursday 17th July, 7:30pm

Friday 18th July, 7:30pm

Saturday 19th July, 7:30pm

 

Tuesday 22nd July, 7:30pm

Wednesday 23rd July, 7:30pm

Thursday 24th July, 7:30pm

Friday 25th July, 7:30pm

Saturday 26th July, 7:30pm

buy tickets

about
Artists/info
dates
Robert Meldrum
richard murphet
director's note
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